Philippians 3

This work premiered as part of the annual Military Musical Spectacular to mark the Queen's Platinum Jubilee.  Another version was arranged for choir and strings to mark the coronation of HM King

This setting of the well-known text creates a warm and intimate soundscape which reflects the prayerful and devotional Feast of the Assumption of Our Lady. The individual lines are not too demanding, but

A setting of the well-known phrase from Psalm 46, "Be still, and know that I am God" for choir and piano. The piano's repeated chordal patterns flow gently throughout, and the long legato choral lines help

A spirited and original interpretation of the well-known Dutch carol.  Each verse provides variation and contrast with the bright, playful organ underpinning the soprano and alto textures.

A lilting melody is introduced against which the independent choral parts call for love to pervade all that we do. A defiant middle section proclaiming that "no fear be known to us" creates cohesion and

The original 15th century English text has been slightly shortened and adapted to provide the basis for this simple, atmospheric carol. The Virgin Mary sings the Infant Jesus to sleep, conveying the love

This composition asks the listener to dwell on all that is pure. For this reason the music develops from simple unison singing through to rich and warm harmonic textures, with restrained dynamics

A medley of songs honoring the brave soldiers of WWI arranged for concert band with optional SATB choir. This stately and regal arrangement features the songs Pack Up Your Troubles in Your Old Kit

This medley features three well-known songs from World War I: Pack Up Your Troubles; Keep the Home Fires Burning and It's A Long Way to Tipperary. This gives a quick-slow-quick

This unusual 15th-century text highlights the dialogue between Mary and Joseph. Despite an overriding atmosphere of joy and love, there is a premonition of Calvary. A subtle sense of urgency is also

The profound opening words of Saint John's Gospel, used in The Word, reach back to the beginning of creation, and the music is therefore mystical and subdued  until the phrase "in him was